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“... no world, just the set or the simulation where the conversations take place. When directors like Michael Mann, whose movie version of Miami Vice has just opened, say they want to make episodes of television series as if they were movies, they mean, among other things, that they want to create a world, a location which is a kind of character. This is as ...”

“... psychology or whatever it may be is the master key to the explanation of the whole long story. Michael Mann, however, deliberately places himself mid-way in-between. As a result, he risks being simultaneously attacked by one set of readers for writing potted history at a safe distance from the sources, and by another for theorising at an ...”

“... which thereby excluded the mass killings of Stalin and Pol Pot, has been criticised by many. Michael Mann chooses to call such massacres ‘classicide’ or ‘politicide’, and reserves ‘genocide’ for the destruction of ethnic or religious groups. Mark Levene, on the other hand, includes all of these within his definition of genocide as ‘the ...”

“... hasn’t got is a plot or a point, so it feels like three hours of exposition. Casino shares with Michael Mann’s Heat the curious contemporary sense that your really classy crime movie doesn’t have to worry about suspense or story. It’s as if The Godfather, or rather its retrospective status, had made the genre so respectable that we need to be a ...”

“... with volumes devoted to the American ‘empire’. But how appropriate is this evocative term? Michael Mann has been working for two decades as ‘a historical sociologist on the nature of power in human societies’. In this dense and lively volume, composed ‘at breakneck speed’, he analyses and evaluates the main strands of US global ...”

“... The imposing house on Stockton Street in Princeton where Thomas Mann lived between 1938 and 1941 is these days owned by the Catholic Church. The main room is large enough for a congregation to assemble, and now contains pews and an altar. At either end of this room there are two beautiful smaller rooms with walls of glass, one made for summer light and the other designed for the winter ...”

“... The works of Perry Anderson, Ernest Gellner, Anthony Giddens, Geoffrey Hawthorn, Steven Lukes, Michael Mann and Runciman himself, not to mention many others, take up the challenge of the classical sociologists, often on the terrain of world history. Runciman’s own response to the question of what sociology must do is similar in scope to those of the ...”

“... Adrian Leverkuhn, Felix Krull – are shaped by their uneasy and ambiguous homosexuality. For Mann being German came first, and he learned, as Anthony Heilbut rather quaintly puts it, to read German history as one long queer epic – he alluded to Frederick the Great’s homosexuality and depicted Bismarck as ‘hysterical and high-pitched’. When ...”

“... Thomas and Katia Mann had six children. It was clear from early on that Katia most loved the second child, Klaus, who was born in 1906, and that Thomas loved Erika, the eldest, born in 1905, and also Elisabeth, born in 1918. The other three – the barely tolerated ones – were Golo, born in 1909, Monika, born in 1910, and Michael, born in 1919 ...”

“... only a writer of very High Modernist tendencies would take this remark as a compliment, but Thomas Mann certainly did, and it wasn’t even addressed to him. He found it in Harry Levin’s little book on Joyce, which he read in 1944. He was also much drawn to another sentence in the same work: ‘The best writing of our contemporaries is not an act of ...”

“... of essays, some of which first appeared in this paper, and are now reprinted in Engagement, on Michael Mann, Norberto Bobbio, Roberto Unger, W.G. Runciman. Andreas Hillgruber, Max Weber, Ernest Gellner, Carlo Ginzburg, Isaiah Berlin, Fernand Braudel and Francis Fukuyama. More recently (LRB, 24 September and 22 October), he has extended himself to ...”

“... as A Book of Memories, wildly oversold (‘claiming and extending the legacy of Proust and Mann’, ‘one of the great novels of modern times’), fantastically turgid, an all but unreadable version of the versnobter bonkbuster it so unmistakably remains. Had I not been reviewing it, there is no stage at which I would not have stopped reading A Book ...”

“... power? Runciman is not alone in thinking they can. The same assumption can be found in the work of Michael Mann, of which Runciman has been a severe critic, but whose scale and focus invite comparison. The common source of this bias is Weber – the dominant influence on this cohort of British sociologists. Fixation with power has, of course, gone much ...”

“... Thomas Mann wrote this engaging novella in a few weeks in 1943. (The new translation by Marion Faber and Stephen Lehmann, which is brisk and direct, is a welcome replacement of the fussier and less accurate English version done by Helen Lowe-Porter for the original publication.) The novella was written after Mann helped pitch a film on the Ten Commandments to MGM ...”

“... Thomas Mann’s​ most noteworthy appearance in Irish letters until now came in one of the last poems of W.B. Yeats. In the spring of 1938 the poet read a piece in the Yale Review by Archibald MacLeish, the only article on his work ‘which has not bored me for years’ – a disarming piece of Yeatsian egotism since most of the article was not about him ...”